Write a word. Any word. That’s all it takes to start writing.
A book begins with a single word. Many novice writers get intimidated by the thought of writing an entire book, but all you ever need to write is one word. I know that’s not much of a goal, but in the end, it is the only goal. That’s how every book all through the ages got written — one word at a time. By stringing single words together, you get sentences, then paragraphs, pages, chapters, an entire book.
So, to begin with, just write. Get a feel for words. Read fiction. Get a feel for how a story flows. Once you are in the habit of writing, read books on how to write. Sometimes it takes a long time for it all to click. I’d written two and a half books, read dozens of books on how to write in addition to the thousands of novels I’d read, before it all clicked. Most of what the how-to-write books said didn’t make sense at first. Rising conflict? Stakes? Showing? Telling? I hadn’t a clue what they meant, but I stuck with it, and became a good writer. I’m not naturally talented, but I discovered that it is possible to learn the craft. Don’t let anyone tell you otherwise.
Writing is not always about writing. Sometimes it’s about thinking. Some authors can sit down and let the words flow and lo! There is a story! Other authors write extensive outlines, detailing the entire story before they ever set one word to the page. I don’t do either. I think about what story I want to write and why I want to write it. I figure out who the main characters are, what they want, how they are going to get it, who is going to stop them getting it. I figure out the beginning and the end (because I need to know where to begin and where I am going), and I figure out a couple of scenes in the middle, to give me an idea of how to get there. Then write. I am a very slow writer, but still, being a slow writer, I’ve written five books that have been published.
The best skill to learn after you’ve written your book is how to rewrite. Chances are, you dumped too much information in the first chapter because you assume people need to know everything about your character before they can understand her, so usually the first thing you do in rewriting is dump the first chapter. But to rewrite, you have to have written. So just write. And write what you want. Writing is all about practice. A person who wants to learn how to play the piano doesn’t just sit down at a piano and immediately start playing. You have to learn the basics, have to practice, but still, you can plunk at the keys to get a feel for piano playing. The same thing goes for writing.
All too often, inexperienced writers tiptoe through their novels, letting major events — fistfights, gunplay, murders, betrayals — take place off-page. It’s much easier to let characters emote afterward than for the writer to take the time and trouble to tackle the action scene. I know I have passed on opportunities to create such scenes, thinking the characters’ reactions all-important, but I forgot one thing: readers need to experience the drama.
Sometimes it’s hard to find the confidence to bring such complex scenes to life, to juggle the many elements that comprise an action scene, but the only way to learn is to plunge headfirst into action. Write it fast and fearlessly; let the words fall where they may. You can always clean up the mess in rewrites.
And while you’re at it, don’t forget to study the publishing business. Learn everything you can about good prose, story elements, query letters, promotion. With so many millions of people out there who have written a book or who want to write a book, the competition is fierce. A writer does not attain maturity as a writer until he or she has written 1,000,000 words, or so they say. (I’m only halfway there.) So write. Your next book might be the one that captures people’s imaginations and catapults you into fame and fortune. Not writing another book guarantees you will never will reach that goal. It also keeps you from doing what you were meant to do.