What advice would you give other novelists about book promotion?

I don’t generally give advice about book promotion since so many authors are better at selling books than I am, but if I had to, I’d tell other novelists to have patience, stamina, and willingness to give up part of their writing time for promotion. Unless a writer has the benefit of a major publisher’s publicity department, and sometimes even then, he/she will have to spend time promoting their book. It’s not enough to have a blog dedicated to self-promotion or to add thousands of friends on Facebook. You have to give people something to get something — write interesting articles, comment on articles other people write, get to know your Facebook connections. And most important of all, check out Book Marketing Floozy. http://marketingfloozy.wordpress.com It’s an indexed blog with how-to articles on every facet of promotion.

Here are some responses from other authors about advice they would give to other novelists about book promotion. The comments are taken from interviews posted at Pat Bertram Introduces . . .

From an interview with Debra Purdy Kong, Author of “The Opposite of Dark”

I’d advise writers to use patience and not expect too much right away. Promotion means engaging with others and building a rapport with potential readers. It means building a solid, longterm platform through social networking, blogging, and designing your website. It can seem daunting, but if you limit your time each day, then you won’t risk burnout. And burnout is a big factor for writers who are also actively promoting!

From an interview with Joylene Nowell Butler, Author of “Broken but not Dead”

If you’ve gone to all the trouble of writing and revising and querying, why not market? Why not spend hours blogging and visiting other blogs and establishing a connection to like-minded writers? I’m still astonished when authors tell me they don’t have time to blog and they certainly don’t have time to visit other blogs. They just want to fill your inbox with news of their book and why it’s important for you to buy it. They’re targeting the wrong people. Writers write, readers buy books. Yet how many emails do you receive in a week telling you why you should buy their book?

Promotion is about creating a presence online. But it’s also about getting out and doing readings, signing copies, writing related articles, doing online, radio and newspaper interviews, joining evening events where the opportunity to read arises. It’s about fairs, bazaars, contests, giveaways, and anything else you think will put you and your book in the public eye.

What about you? What advice would you give other novelists about book promotion?

(If you’d like me to interview you, please check out my author questionnaire http://patbertram.wordpress.com/author-questionnaire/ and follow the instruction.)

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

Are Book Trailers a Good Idea?

Someone asked me for advice on how to get people to see his book trailer and then called me negative when I explained how difficult it would be. I admit I’m burned out when it comes to promotion. I’ve spent the past five years researching book promotion in all its many facets, tried hundreds of different things, and I still don’t know how to turn a sleepy seller into a best seller, though I know a lot about what doesn’t work, or at least what doesn’t work for me. Other people do the same sorts of things I’ve been doing and find a pot of gold at the end of the promotion rainbow, but I’m still searching for the rainbow.

Book promotion is a lot like the house that Jack built. You have a book you want to sell, so you create a video trailer to promote it. Then you have to promote the video that promotes the book you want to sell. Then, you join Facebook to get more viewers for your video, so now you have to promote your FB page that promotes the video that promotes the book you want to sell. And on and on and on.

Some people can just throw a book out there and make a fortune on Amazon, but the rest of us have to promote. Have to find a way to get people interested in us and then in our books. As I said in What Works When It Comes to Book Promotion?, the first authors to blog or use the various social networking sites to promote their books found a strong readership, but now all of those means of promotion are so common that they are simply an expected part of being an author.

It’s the same with book trailers. The first people who created book trailers to promote their books did well, but now video promos are just an expected part of being an author. Even if the video is great, the problem is getting people to see the video.

Sometimes people will stumble across a book trailer when they are surfing Utube, but it’s not as if people by the thousands will be searching for his book trailer. I wanted to hear Madonna’s “Playground” the other day, so I used the search function to find it since I knew what I wanted to listen to, but what if I didn’t know there was a song out there I’d like to hear? How do I find it?

The problem is, you have to promote the book trailer as assiduously as you promote the book. If I knew how to get people to see his trailers, I’d be good enough at promotion that I’d be selling millions of books.

Still, book trailers are a good idea, and the better they are made, the better they will do. I don’t want to discourage him from making his video because . . . who knows? His might catch people’s attention and go viral. At the very least, it will give him something other than the book itself to promote.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

What Works When It Comes to Book Promotion?

A new author asked me if I ever found a series of steps to take that have at least a small chance of working when it comes to book promotion.

That is a very good question, one I have been pondering for a long time. I have been doing various promos online for more than five years (I started with my blog in September 2007), and I don’t sell very many books, though my publisher assures me that ultimately I will sell many thousands of copies of each of my titles. I have come to the conclusion that promotion is what we do until luck finds us. If you don’t write erotic romances, horrifyingly violent thrillers, or vampire stories (or whatever the current fad is) that can catapult you into bestsellerdom, you will need luck to get your book discovered.  Many authors who have found success will tell you they did it on their own through hard work, but almost every time, a bit of luck played into the equation. And it’s always possible to get discovered — the media (which includes online and offline means of communication) has a fickle and roving eye, and it’s anyone’s guess where that glittering gaze will fall.

It used to be that you could do giveaways and contests to get attention, but there are tens of thousands of books being given away every day, so it’s almost as hard to give a book away now as it once was to sell it. And unless a contest somehow captures the imagination of people, they will pass on taking a chance (even if it’s a sure thing that they will win something) because they are inundated with hundreds of such promos every day.

It used to be that blogging would bring you a readership, but now blogging is so common that it is simply an expected part of being an author. Blogging can be a satisfactory and fulfilling means of writing and communicating, and it does help to create an online presence, but by itself blogging doesn’t sell books.

It used to be that MySpace was a good way to find a readership — the first authors who promoted on MySpace became instant successes, but when other authors signed up for the site by the thousands, hoping for similar results, no one paid attention to them.

It used to be that Facebook was the best place to find and connect with readers. The first authors who used Facebook to promote made a fortune. One guy became a best selling author by maxing out Facebook accounts (5000 friends is all you are allowed, so he had several accounts), and he will sell you a book telling you how he did it, but recently it came out that he also paid for reviews, so who knows what the truth of his success is. One thing I do know is that most authors are not selling tons of books via Facebook because Facebook continually changes their algorithms to keep that from happening. Where once I’d get hundreds of people seeing what I posted, I get maybe thirty now if I’m lucky. And of that thirty, maybe one or two respond. (Respond to the post, I mean.)

The first authors on Twitter, Pinterest, and all the other sites also made a name for themselves, but the rest of us? Not so much.

As for offline: authors who do book signings and festivals and such do well to a certain extent, but you have to be careful — I know several authors who sold thousands of books that way, but when it came time to figure out profits and losses, it turns out they didn’t make enough to pay for all their expenses. They’d have been better off just standing on a busy corner and giving the books away.

So, what do you do until luck comes calling? The best advice I can give you is to do three things to promote every day. It can be something as simple as signing up for Facebook if you haven’t already done so, adding a few friends if you have signed up, posting a photo on the site, or commenting on someone else’s photo. You could do a blog post on your blog or ask someone if they will let you be a guest on their blog. You can comment on the posts of other bloggers so that everyone who reads those posts will also read your words. You could sign up for Twitter, Pinterest, LinkedIn or any of the other currently popular social networking sites.

You can get bookmarks printed up with your book cover, a brief blurb, and an online address or website where people can contact you or buy your books, then pass the bookmarks out to everyone you see. You can get business cards printed up with your book cover on the front side and information on the back where they can find you and your book. You can get addicted to Vistaprint — once you are on their emailing list, you will receive sales notices, and over time you can get all sorts of great stuff such as t-shirts and mugs, stickers and posters, for free or for a nominal fee. Then give those out or offer them as incentives for people to buy your books.

You can do book signings and other events such as fairs, festivals, and craft shows. You can offer your services as a speaker.

The best promotion is one that captures people’s imaginations, so maybe one of your promos for the day could be nothing more than brainstorming with someone to come up with a totally unique idea. Or you can check out my Book Marketing Floozy blog for tips from other authors. Book Marketing Floozy is an indexed blog of sixty-five different articles by various authors about book marketing.

I don’t think it really matters what you do. Just do three things to promote your book every day.

My final suggestion — keep writing. The more books you have, the greater the chance of having sales snowball, but you also have to keep improving your craft. Just throwing out any old thing in the hopes of making it big won’t help you stand out from the crowd.

And that’s all promotion is — trying to find a way to stand out from the crowd.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Facing Off With Facebook

Yesterday’s accidental New Year’s resolution was to spend less time promoting books I don’t like and would never read by authors I don’t know. (For the past few years, I’ve been posting book excerpts from any author who sent me one, and then promoting it via Twitter and Facebook.) Today’s accidental resolution is to spend less time on Facebook. This resolution isn’t accidental — I’ve been giving a lot of thought to where I want to go with my online life. What’s accidental is the timing. What was supposed to be simply a resolution has accidentally become a New Year’s resolution.

Like many authors, I joined Facebook as a way of promoting my books, and I “friended” as many people as possible to get the word out. When I realized I wasn’t getting the results I’d hoped for, I started going for quality — trying to get to know the people I was connected with. That worked to a certain extent — I’ve met wonderful people and have had interesting discussions with them — but now the site has lost its luster. Or maybe I am growing beyond what the site has to offer. I never did like the games that keep so many people occupied, but I liked the feeling that something was always going on, that there was always a chance for an incredible encounter.

A growing problem is that for me there are two Facebooks running concurrently. There is the professional side, where I meet and connect with other authors, and there is the personal side. I’ve tried separating out the two — I have both a personal profile and an author page — but I’m still connected to more than a thousand people on my personal profile that I don’t know, and the constant flow of their personal tragedies and triumphs is beginning to weigh me down.

I don’t know which is worse — the brags about how many books people have sold, how many pages they have written, what awards they have won, their ratings on Amazon, or the announcements of anniversaries, illnesses, hospitalizations, accidents, and deaths of relatives and pets. (Actually, I do know what is worst — the happy announcements of wedding anniversaries. They remind me of what I have lost.)

I sound curmudgeonly, don’t I? In a cosmic sense, what happens to each person affects us all, but in a microcosmic way, knowledge of these events can add an immeasurable burden. Yes, I’m glad of people’s triumphs. (Or at least I want to be.) Yes, I’m sorry about their tragedies. But how do my feelings make a difference to their lives? I’m a stranger to them as they are to me. And if I turn off my computer, they no longer exist. (Ah, such power!)

I can’t completely get rid of Facebook, nor do I want — it’s a good way of connecting with people and getting to know them — but I can curtail my time on the site, and that I will do.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Thank You for Five Incredible Blog Years

Five years ago today I started this blog. I’d only been on the internet a few months (four months to be exact), had no idea what a blog was but knew enough about book promotion to know that I needed one to help establish my online presence. I spent a few days researching the various blogging platforms and ended up here on WordPress.

My first post was tentative, a mere dipping of my pen in the metaphorical ink of the blogosphere. All that post said was:

Am I an aspiring writer? I have written 4 books, rewritten them, and will continue rewriting them until they are perfected.

No. I am not an aspiring writer. I am aspiring to be a published writer.

Not a bad statement of intent for a new blogger. In the beginning I wrote about my struggles to find an agent or a publisher, my attempts to learn all I could about how to become a bestselling author (still don’t know — drats!), my efforts at establishing my online presence. In the beginning, I used no photo of me, just an initial. I still hadn’t decided if I wanted to use a male pseudonym or any pseudonym at all. I’d also started writing a new novel that I now call my work-in-pause since it’s been sitting there, half-finished for almost five years.

Much has happened to me since I started this blog. I entered a couple of writing contests and made it to the semi-finals in both, (one was the very first ABNA contest). My mother died. I found a publisher. My father had quadruple bypass surgery. My life mate/soul mate got sicker and sicker. And throughout those two and a half years of turmoil, this blog sustained me. It gave me a place to escape from my daily life, a place I could count on.

And then, two and a half years ago, my soul mate died. His death catapulted me into a world of such pain, that it bled over into this blog. My posts became not so much a way to escape, but a place to try to make sense of what I was going through, to offer comfort and be comforted, to find my way to renewed life.

This blog also helped me to re-establish my life as a writer because, after all, blogging is writing, too. A year ago, I made a commitment to blog every day for 100 days, and somehow I never stopped. And today marks an entire year, 366 days of blogging every single day. (Leap year, in case you’re wondering why 366 instead of 365.) I recently recommitted to another 100-day challenge. It’s nice to know that whatever life throws at me, whatever problems I encounter, whatever challenges come my way, this blog will be here for me.

I started with meager aspirations, hoping for the seemingly unrealistic goal of 12,000 views a year, and as of right now, this blog has had 215,817 all time views. On my busiest day, I had 3,542 people stopping by. I’ve been Freshly-pressed three times, written 1,003 posts (including this one), received 7,159 comments and almost 3000 likes and shares. My best ranking on Alexa.com was 607,198 out of 350 million websites. Quite an achievement for someone who, five years ago, did not even know what a blog was.

I ever told you how much your reading my posts has meant to me, so I want to do so now. Thank you all for your comments, your likes, your support. They have meant more to me (especially this past two and a half years) than you can ever imagine.

Putting a Good Face on Facebook

Apparently, this is Facebook Week on Bertram’s Blog. This is the fifth in a series of posts I’ve written while trying to make sense of the clamor called Facebook. If you’ve read any of the previous posts (Why Facebook is Not the Great Promotional Tool It Once Was, Feeding the Facebook Beast, Trying to Be Heard Above the Facebook Noise, Unfriending Facebook Un-Friends), you might think I hate Facebook. The truth is, I am fascinated by the site. What I don’t like is how I’ve used it, in the beginning by sending friend requests to strangers and then later by accepting all friend requests indiscriminately and now having to fix the unwieldy mess by unfriending those who don’t engage with me. (I worry about offending people, but truly, if they have 5,000 friends, will they even notice I am gone?)

In a perfect world, being connected to what amounts to the entire population of a small town should create book sales, but it doesn’t. Just like with any town, most people you’re connected to don’t know who you are. I once lived in a town with a population of five thousand people, and after living there a couple of years, there were only a few people who even knew my name.

Being connected to so many thousands of people should create a community of people who are truly connected to each other, supporting each other through good times and bad, but it doesn’t. In fact, FB often works to isolate people. If you’ve lost your spouse, for example, seeing a constant stream of anniversary announcements, photos of happy couples, and travel plans for romantic getaways makes you feel even more isolated than you already do.

Being connected to so many people should help dispel loneliness, but it doesn’t. For the most part, facebook is about being upbeat, about bragging of all the good things that come your way, (one person’s “sharing” is another person’s “bragging”), about putting on a good face. (Well, of course. It is Facebook, after all.) But if your life isn’t going great, if you’re experiencing loss or failure, then you feel doubly alone.

Still, Facebook is a microcosm of life (though to be honest it more often resembles the worst of high school). Voltaire wrote, “Each player must accept the cards life deals him or her, but once they are in hand, he or she alone must decide how to play the cards in order to win the game.”

Like life, Facebook deals out a lot of cards everyone rails against, such as adding features we don’t want and taking away features we do. If we stay on the site, we have to accept those “cards,” but it is our choice how to play them. Like life, we reap the effects of bad choices made on Facebook (such as my indiscriminate “friending”). Like life, we have to deal with knowing we have unintentionally hurt some people. (Such as the guy who blocked me because I said something he took to be an insult, when the comment had nothing to do with him and everything to do with my philosophy of writing. See? High school.) Like life, we have to take responsibility for moments of tactlessness, and either repair the damage or take our lumps and move on. No matter how much we want everyone to like us, there will always be those who don’t.

But . . . and this is the key. Our life is our life to do with as we wish within certain parameters, and our Facebook is our Facebook to do with as we wish within the site’s parameters. With life, we have to decide what game we are playing so we know how to play our cards. With Facebook, we also have to decide what we want with the site and play our hand accordingly.

And me — I’m still trying to figure out what the game is, both with life and Facebook.

Unfriending Facebook Un-Friends

I’ve been doing a series of posts on the effectiveness of Facebook as a promotion tool for authors, based on my research and my experiences. Some people have taken these as complaints and negativity, but I’m just trying to make sense of a confusing world.

There are four billion users on Facebook, yet most authors seem to be shunted off into a corner of the FB world with other writers. While I’ve gotten to know a lot of great authors this way, I’ve found few readers, which makes sense when you think of it. Authors want something — readers — so we frantically add friends in an effort to reach readers. Readers, on the other hand, don’t frantically friend unknown authors. Most readers stick with previously read authors, or find books by word of mouth, blog reviews and book websites, local bookstores, online stores, the library. (This information is from an informal poll I once did: How Do You Choose the Books You Want to Read?)

When I first joined Facebook, I was guilty of adding as many friends as I could since I thought that was the purpose of social networking. In fact, I almost reached the cut-off point of 5,000 friends. (I’m sure you’ve noticed that some people have more than 5,000 friends. That’s probably because of inactive accounts. I go through my friend list periodically and delete inactive accounts. The only serve to swell numbers and make FB even more unwieldy than it already is.)

When I realized that social networking is about being social, I stopped sending friend requests, and started trying to get to know the people I am connected to. In the process, I am gradually culling my friend list. If someone has four or five thousand friends and has never once bothered to respond to anything I have done on Facebook, I unfriend them. If someone whose friend request I have accepted (I have not sent a friend request to a stranger in over three years, so I know that any friends made in those years are at their behest) spams me or ignores me, I unfriend them. If they are multi-level marketers or any other such blatant scammers, I unfriend them.

This sounds harsh, doesn’t it? But if Facebook hasn’t created a mass of readers for me, then it’s mostly for fun, and if it’s mostly for fun, there is no point in being connected to people who do not enrich my life. (I hope you don’t think I am unfriending everyone. I still have almost 2,000 friends, a good percentage of whom I actually talk to.)

Of course, some people think unfriending is silly, because what difference does it make how many friends you have, especially since you see so few of them anyway, but it does make a difference. When I had close to 5,000 friends, every time I tried to individually invite friends to an event, it crashed my computer. (Except for the Suspense/Thriller Writers Self-Promotion Extravaganzas on Saturday, I don’t bother to do events any more. Where hundreds of people used to respond, now only a handful do.)

Also, too many friends clogs the news feed with posts I have no interest in. It is possible to hide those posters from my newsfeed, but if I have no interest in people’s posts, why am I connected to these un-friends? Why not just unfriend them? So I do.

People do the same to me. One woman told me she unfriended me because I never participated in any of her events. It was a valid observation. At the time, I had 4,000 friends, and couldn’t keep track of them all. All I did on Facebook at the time was keep my writing discussion going, so the people I was most interested in were the people who participated in my discussions. (I hate to admit it, but I still don’t participate in other people’s events; there are simply too many. And anyway, I still prefer to spend most of my time with my discussion group. It’s a small space of sanity in the choatic FB world.)

Perhaps none of this matters. Perhaps unfriending is just a game or a phase I am going through. But the truth is . . . hmmm. I don’t know what the truth is. Maybe I don’t like being ignored. Or maybe I have had a surfeit of inanity and negativity. (What many people consider as positive thinking, I often see as inane, and inanity feels to me like negativity.) Or maybe I’m fighting a system I have no way of beating. Or maybe I’m getting curmudgeonly. Or maybe I’m trying to do FB over, and do it right this time. Or maybe, just maybe, I’m positioning myself for success, making room for the thousands of new friends I am going to make through my writing.

Trying to Be Heard Above the Facebook Noise

I’m sure it seems as if I’m obsessed with Facebook, considering all the posts I’ve been writing about the site lately, but the truth is, it confuses me. What’s the point of having thousands of friends if only a few of those “friends” show up in our news feeds, and our posts show up in only a few of theirs? Why do we have to post silly sayings and quotes by other people to attract attention to our own writing? Why are we supposed to upload colorful images and share cute pet photos? What does any of that have to do with our books? Shouldn’t the books be enough to attract attention?

I do know the answer to that last question. If you are James Patterson, mention of a book is news, but if you are Pat Bertram, it’s blatant self-promo.

There is so much noise on Facebook, with everyone screaming “Looka me, looka me,” like kids on a playground, that it’s almost impossible to hear the quiet writers who just want people to check out their books.

I thought if I posted intelligent questions, I’d attract intelligent friends, and the ones I interact with are exceedingly intelligent. The trouble is, they are in the same position I am in — looking for quiet readers in a noisy world.

I’m a writer, right? I should be able to think of witty things to say that will make people want to get to know me and my books, but my wit deserts me when it’s most needed. When I do think of something witty, it’s at three o’clock in the morning. I’m not about to wake fully, turn on the light, write down my witticism, and then lie there for hours, waiting in vain for sleep to return. (My wit centers more on puns, anyway, such as: Waiting in vein. Is that what vampires do? Well, maybe “wit” is a bit of an exaggeration.) So what passes for wit, passes with the night, and in the morning I don’t remember. (Probably just as well if “waiting in vein” is the best I can do.)

One of my favorite people on Facebook, who manages to be intelligent and witty and post cute pet photos, is Malcolm R. Campbell. (He also happens to be a darn good writer.) Malcolm once said that he’s written more to promote his books than he did to write them. (See? I told you he was witty. Or at least truthful.)

It’s kind of pathetic when you think about it — you rip out your heart and throw it into your book, and then you have to take what’s left of you and spent it on sites like Facebook. Is it worth it? I’m not sure. For a long time, I thought it was. I was having fun, and there was always the hope of hitting some sort of friending jackpot. But now? It seems like . . . noise. Something to block out.

Still, wit aside, I do have a modicum of intelligence, a bit of computer savvy, a tinge of knowledge about the workings of the human psyche, so I should be able to make my voice heard above the noise, right? But in the back of my mind is the small question, what then? My books aren’t the next erotic vampire bondage serial killer novelty, so will my being heard make any difference?

Why Facebook is Not the Great Promotional Tool It Once Was

Are you one of those authors who joined Facebook, hoping to find fame and fortune, and have only found . . . Facebook?

After my books were accepted for publication, and while I waited for them to become available, I spent a lot of time researching how to promote online. The first unanimous suggestion was to get a website, the second was to maintain a blog, and the third, of course, was to create a presence on social networking sites. I’d already done the first two, so that left the third option. How hard could networking be? Add the maximum number of friends, post status updates and blog links, create discussion groups as a way to get to know other authors. Sounded like fun.

At first, it worked the way it was supposed to — I made a lot of friends, had some great discussions, promoted my online release party via Facebook and MySpace. I even sold some books.

And then . . . nothing. Sure, I still had friends, but sales dropped off, and when my next release party came around, almost no one stopped by. (By then, MySpace was practically defunct — everyone I met on MySpace had migrated to Facebook.)

Many authors have had the same experience as I did. So what happened? Why, after all those articles about how great Facebook was for promotion, didn’t we get the results we hoped for? Because of the ever-changing face of Facebook, that’s why.

When I joined Facebook, it was at the tag end of the free-for-all, where anyone could post anything and all of your “friends” would see it. Events and requests to “like” a page weren’t hidden in your notifications as they are now, but were almost impossible to miss. You pretty much had to respond one way or another. Groups were much more effective than they are now. Group administrators could send a message to everyone in the group, and there were group discussions boards (which is what I used the group messaging for — to announce the weekly discussion).

One by one, all the functional parts of Facebook (those that worked best for promotion, that is) have disappeared, to be replaced by . . . not much of anything, actually. If you post something on your fan page, it shows up in the news feed of only a small percentage of people. They say 10%, but it’s more like 2%. My current reach — the maximum number of people per week who could have seen my posts — is 285. Considering that I post something every day, that means FB shows each post to only about 40 people a day, which is a very small fraction of my 1487 “likes.” If I want more people to see my posts, I can pay to get more views. Bizarre, isn’t it?

I don’t know the statistics for profile views since they aren’t posted on the site, but going by my own feed, not many people at all see anything — just the same few people every day. And now that anyone has the ability to shut off the posts of anyone they want, you could be seeing their posts, and they won’t see anything of yours.

Apparently, Facebook read the same books and articles we did about how to promote on the site, and they are doing everything they can to prevent our promotion efforts from being very effective. (They want to be the only ones making money.)

The first self-published millionaire who subsequently wrote the book about how to make a million via FB, cheated by maxing out multiple accounts — you can only have 5000 friends, so he had more than one account going at the same time. But that should come as no surprise now that he has been outed as having purchased scads of reviews.

So, if you are not getting the results you hoped for by promoting your books on Facebook, don’t be too hard on yourself. It’s not your fault at all. It’s the fault of all those who came first and scammed the system before you had a chance.

Is Facebook Still Cool?

For years now, writers have been told that to promote their books, they need to sign up for Facebook, mostly because when Facebook was new, very few authors used social networking sites to engage with readers so those who did found a goldmine. Ever since then, authors by the hundreds of thousands have joined Facebook to find readers and found only other writers. Why? Unless you are a known writer, readers aren’t searching you out. Writers try to connect with everyone FB suggests or anyone they come in contact with, but readers don’t. They have no reason to connect because they have nothing to gain by it.

Because of the peculiarities of Facebook, I am connected to very few people outside the writer’s community (and those few non-writer connections are mostly family or real life friends). It’s hard to believe that with over 900 million users, I can’t break out of this tight enclave into the mainstream of Facebook, but I have nothing to say to anyone besides what every other author says, “Buy my books,” and even I know that doesn’t sell books. Mostly what I do is use Facebook as a bulletin board to post links to my blog posts. I also scan my feed to see if anything interesting is going on, (so-and-so’s book is being given away free on Amazon, such-and-such a book is on sale for 99¢ . . . yawn) and finally check in with my writing discussion group.

Shouldn’t there be more to such a vast network than a writer’s group? But then, I have made a lot of online friends through Facebook, I keep up with many of my fellow Second Wind authors on Facebook, and I try to get to know the people I am connected with. Considering that joining Facebook used to be a coming-of-age ritual for thirteen-year-olds, it’s amazing I’ve found anything to do on the site! I mean really, what could I possibly have in common with such new and untried persons?

Along with all the other problems Facebook is having (such as not finding enough ways to gouge money out of us via ads), they now have to contend with the loss of their youngest members. Among some young teens, it’s no longer considered cool to join facebook — they prefer to text or to join sites where they are not pressured to connect to everyone in their class. No wonder there are so many offline traumas instigated by online life. The unpopular kids can never get away from their unpopularity. And anyway, why would they join a network that is aging? Facebook is eight years old, which in online years has to be closing in on 57. (Assuming web years are equivalent to dog years.) Even worse, from the point of view of a young teen, is that more than one-fourth of FB users are 50 to 64 years old.

I’m not sure where I’m going with this post. It started out as a light-hearted commentary about the whole Facebook phenomena, and I planned to end up with saying that there are worst things that joining Facebook to connect with readers and finding only writers of a certain age, but I’ve since discovered a fb author friend plagiarized something I posted on Facebook, which is so not cool. So now I have no end to this post. Except maybe to say that I need to stop spending so much time online.