Owing His Memory?

I found this paragraph in a book I read recently, and it’s a graphic example of why I want to write a novel about a grieving woman — so few understand the nature of grief:

Jean-Pierre was gone; nothing could bring him back, and her feelings for him, feelings that had risen suddenly, had been ebbing just as quickly as evidence of his involvement with illegal drugs had surfaced. If Jean really had been running drugs, she owed his memory nothing.

Owed his memory? What does that mean? This example seems to have been written by a person who knows little of grief. In all these months of steeping in the world of grief, I have not heard a single person mention owing the dead person’s memory anything.  Memories are all we have left and we treasure them, but we also know that memory is not a living creature to whom we must pay homage. We might feel obligations to those who are gone, obligations such as honoring their wishes as to funerals and disbursement of treasured possessions, but we fulfill those obligations out of love and because we find comfort and continuity in still being able to do things for our loved ones. But owing the memory we have of the person? Doesn’t even make sense.

We bereft are all struggling to find a way to live with the hole in our lives, with the ongoing sadness, with the reality that grief is an unending (though perhaps diminishing) journey. No griever I have met has said, “Wait! I can’t be happy. I owe too much to his memory.” Grieving is a process, something we do, something that happens to us, but it is seldom the choice that is hinted at in the above example. Quite frankly, we are all sick of grieving, of being sad, but the only way not to be sad is to have our loved ones back with us, and since that is impossible in this world, we continue on as best as we can with our shattered lives. But we owe that to ourselves, not to his memory.

Finding Inspiration From Uninspiring Sources

Deserts have traditionally been mystical places where one goes to find inspiration, themselves, the meaning of life, but nowadays people use the desert as a park, a place of recreation rather than re-creation. They whiz by on dirt bikes and all-terrain vehicles, they honk their dogs (let the dogs out of the vehicle and and follow along behind, honking whenever the creatures go to far astray), they have drunken parties, and they dump trash, including old furniture.

I used all of these bits to set the scene for the first chapter of Rubicon Ranch: A Collaborative Novel, a novel being written online by me and eight other Second Wind authors, especially the discarded furniture. I do believe I have seen enough old furniture in my walks to furnish a living room, but the piece that most captured my imagination was the television sitting out in the middle of nowhere. No road led to the television, just a footpath. Yet there it was. And so it appears in my chapter:

She turned around to get shots of the trail she’d just climbed and saw a glint of metal reflecting the sun. She squinted. What was that? A television? She found herself smiling—her first smile since Alexander died. She scrambled back down the trail. The television had been dumped a long time ago judging by the creosote bushes that had grown up around it, but footprints leading to the box suggested it had been visited recently. She took several shots from the trail, about fifteen yards from the television, then moved closer. The television had no screen, and she could see that something had been stuffed inside. A doll? She crept closer. Ten feet away, she stopped to take another photo, and the truth washed over her. Not a doll. Crammed inside the console was a child, a girl, her eyes half-eaten by some desert predator.

We’ve now posted the first six chapters of Rubicon Ranch, the latest one by Christine Husom, author of the Winnebago Mystery Series.  The most fun of a project such as this is that we do not yet know who killed the little girl (if in fact, she was killed) and we won’t know until all but the final chapter has been written. I hope you will enjoy following our story as we write it.

Chapter 1: Melanie Gray — by Pat Bertram

Chapter 2: Seth Bryan — by Lazarus Barnhill

Chapter 3: Jeff and Kourtney Peterson — by J B Kohl and Eric Beetner

Chapter 4: Dylan McKenzie — by Nancy A. Niles

Chapter 5: Mary “Moody” Sinclair — by JJ Dare

Chapter 6: Cooper Dahling — by Christine Husom

Thinking While Writing

Although I finished the challenge of writing 50,000 words in a month, I am still writing, though I’m back to my usual snail pace and my habit of thinking while I write. It’s not so much that I’m reverting to my old ways, but that I’ve written all the easy parts. Now, besides figuring out how to put the book together, I have to write any missing scenes, write the connective tissue that turns isolated scenes into a cohesive story, and write descriptions, which has always been hard for me. I am not fond of long descriptive passages, but I understand the need to anchor a reader to the story with visuals, so I try to describe a scene in as few words as possible. Generally I do this by finding a significant detail — the one thing that will make a scene come alive, such as a green lizard on the ceiling of a hotel room in Thailand or a razor-wire-topped fence hidden in the trees.

All those parts of the story take thought, which means no more writing at break-finger speed. Still, I’ve come away from the experience with a better appreciation for the writing process (though, drat it! It was supposed to be a vision quest, and I had nary a vision.)

The most important lesson I’ve learned from this experience is that by jumping around and writing scenes as I think of them rather than trying to write them chronologically, I can see what I need to include. For example, in my other WIP, the apocalyptic allegory that’s been paused for the past three years while I dealt with life, I need to have my hero preparing for the future. I couldn’t think of all that he would need, but after writing a scene where he assisted at the birth of a baby, I could see he needed something with which to cut the cord. I already had him sharpening a bit of flint, but since these end-of-the-world-as-we-know-it-survivors have no clothes but loincloths, which traditionally do not come equipped with pockets, he pulled the flint out of a pouch. Aha! So now I not only have to have him make the flint, I have to have him carrying it around. He started out working on it in secret and hiding it before returning to the group, no he will have to make a pouch (out of what? and how?) and start carrying the makeshift knife. But why would he go through all that trouble? Perhaps too many people have shown an interest in his activities. Perhaps someone went searching for the knife. Perhaps he just likes knowing it is available if he should need it.

Answering why is a vital part of keeping our writing cohesive. Without character motivation, we end up with a series of happenings that aren’t connected, which means no story. Knowing what the story needs, such as the flint in the pouch, I can go back and figure out why he’d have it, otherwise it seems too coincidental. And to keep from things being coincidental, I have to think, which means writing at a slower pace. At least for a while.

I Am an Eight-Month Grief Survivor

When you love someone deeply, their well-being is as important to you as your own, but what do you do with that feeling when your someone is gone? Eight months ago, my life mate died, and now he has no need for stories to amuse or outrage him, no need for tasty meals to tempt his appetite, no need for comfort or caring or kindness, and yet my habit of thinking of him remains. Eventually, I imagine, the habit will wear itself out, but for now I still find myself thinking of ways to make his life a bit easier or a bit more enjoyable.

After eight months, I am still in . . . not shock, exactly, but a state of non-comprehension. I can’t comprehend his death, his sheer goneness. I can’t comprehend his life, though perhaps that is not for me to bother about. Most of all, I can’t comprehend my sorrow. I never saw much reason for grief. Someone died, you moved on. Period. I thought I was too stoic, too practical to mourn, and yet, here I am, still grieving for someone who has no need for my sorrow.

Despite my continued grief, I am moving on. My sporadic tears do not stop me from accomplishing the goals I set myself, such as NaNoWriMo and daily walks. My sorrow doesn’t keep me from taking care of myself — or mostly taking care of myself. (I don’t always eat right, and I don’t always sleep well.) Moving on, as I have learned, is not about abandoning one’s grief, but moving on despite the grief.

Grief is much gentler on me now, and I can sidestep it by turning my mind to other things, but I don’t always want to. I have not yet reached the point where thoughts of him bring me only happiness, and I need to remember him. If tears and pain are still part of that remembrance, so be it.

We shared our lives, our thoughts, our words — we talked about everything, often from morning to night — yet even before he died, we started going separate ways, he toward his death, me toward continued life. I often wonder what he would think of my grief, but just as his life is not for me to try to comprehend, my grief does not belong to him. It is mine alone.

And so the months pass, eight now. Soon it will be a year. Sometimes it feels as if he died only days ago, and I expect him to call and tell me I can come home — I’ve proven that I can live without him, so I don’t have to continue to do so. Sometimes it feels as if he’s been gone forever, that our life together wasn’t real, perhaps something I conjured up out of the depths of my loneliness. Sometimes my grief doesn’t even feel real, and I worry that I’ve created it out of a misguided need for self-importance. Such are the ways of grief, this strange and magical thinking. This could be magical thinking, too, but it seems to me that having survived eight months of grief, I can survive anything.

NaNoWriMo Winner!

This might be Black Friday for you, but it’s a red letter day for me! I actually wrote 50,408 words so far this month, which makes me a winner of NaNoWriMo. (National Novel Writing Month.) Although I already validated my entry, I’m going to continue writing the rest of the month because half of the challenge for me was to write every day in November.  The final part of the challenge, digging for buried wisdom hasn’t happened — but I did find all those words, and that’s a major step for me. Haven’t written that much in years!

A Thanksgiving Card for You

A friend sent me this card, and I’m sharing it with you. Happy Thanksgiving! Click on the image to get the full effect.

Grateful Even in Grief

Mairead Walpole, author of A Love Out of Time posted an article on the Second Wind Publishing Blog entitled “Thanksgiving: A holiday or the trigger for the countdown to Christmas?” I read the article more for her observations than because of an interest in the holidays, thinking I had nothing for which to be grateful, then it struck me how wrong I was. I have a lot to be grateful for despite my continued (though much gentler) grief.

I am thankful I have a place to sleep, food to eat, desert trails to walk, books to read, words to write.

I am thankful for the people who have entered my life to give me support during this bleak time.

I am thankful I had my life mate to love and care for.

I am thankful my life mate loved and cared for me.

I am thankful for the emotional security offered by our relationship, which gave me the freedom to try new things.

I am thankful he shared his life — and his death — with me.

I am thankful for our added closeness at the end.

I am thankful he is no longer suffering.

I am thankful he didn’t linger as a helpless invalid. He dreaded that. 

I am thankful for his legacy. He faced his death with such courage that he gave me the courage to face my life.

I am even thankful for my grief. It reminds me that he shared part of this journey called life with me, and it is helping me become the person I need to be to continue my journey alone.

So, this Thanksgiving, I am grateful even in grief.

Rubicon Ranch Preview

I am working on my next chapter for Rubicon Ranch, the collaborative novel I am writing online with eight other Second Wind authors. If you haven’t yet checked the story out, you can find what we’ve written so far at: Rubicon Ranch.  JJ Dare’s chapter is especially chilling. My chapter isn’t due for a while, but I need to get a head start, since who knows what writing projects I will be involved with when my turn rolls around again. Here’s a bit of what I wrote today:

The sheriff poured two cups of coffee from an urn on a rosewood sideboard, set them on the table, and slid into a chair opposite Melanie.

“What do you want with me?” she asked.

He gave her an innocent look as if he didn’t know what she meant. “I just want to feed you.”

“Yeah, feed me to the sharks,” she muttered.

“You’re very clever, aren’t you?”

She sat up straight. “What?” The word came out almost as a shriek. She modified her tone, but did not try to conceal her anger. “Are you suggesting that I had something to do with that little girl’s murder?”

“Why do you assume she was murdered?”

“You’re saying she wasn’t murdered?”

“Did you know the girl?”

“No. I might have seen her, but I didn’t pay much attention to what went on in the neighborhood. Wait! I bet she’s the one Alexander told me about. Right before his accident, he caught a little girl snooping around in our backyard.”

“I never saw the report.”

“Report? Oh, police report. He didn’t turn her in. Professional courtesy, he said. He was a bit of a snoop himself. Supplemented our income with photos of celebrities.”

“Did he ever take photos of your neighbors?”

Something in his expression—an added alertness—alarmed her. “Are you thinking Alexander might have been killed?”

“Why do you ask that?”

She shot him an exasperated look. “Having a conversation with you is like trying to talk to a four-year-old who has an attention disorder.”

Tell Them Pat Sent You

I am doing NaBloPoMo (National Blog Posting Month), which is why I am temporarily back to blogging the way I started out — a post a day. It’s been fun; I’d forgotten how much I enjoyed blogging. I started this blog soon after I hooked up to the internet because I heard that all authors should have a blog as the foundation for promotion. I hadn’t a clue what a blog was, hadn’t any idea what blog platform to use, but wordpress seemed intuitive to me, and so I signed up – a bit timidly, I admit. That timidity didn’t last long. I took to blogging like a frog to a bog, and never looked back.

The fun of blogging comes in saying whatever you wish, but the most fun is saying something that touches people enough that you get comments and have conversations. Thank you, everyone, for making this such a great experience.

A special thank you to frequent commenters: Carol Ann Hoel, Malcolm R. Campbell, Carol J. Garvin, Sheila Deeth, Joylene Nowell Butler, Leesis. Not only have they helped me through a very dark time in my life, which is reason enough to salute them, they all have wonderful blogs of their own. Clicking on their names will take you to those blogs. If you leave a comment, tell them Pat sent you.

Blog Jog Day: Introducing Light Bringer

Welcome to Blog Jog, a one-day jog around the highways and byways of the blogosphere. Feel free to rest here for awhile before you trot on to the next blog in the jog. If you don’t know where to start exploring Bertram’s Blog you can scroll down to see my latest posts, or you can check out the index of all my posts: Archives.

Everyone who leaves a comment on this post will be entered in Second Wind’s best contest ever — a chance to win a copy of every title Second Wind will publish in 2011. This will include a copy of my upcoming book Light Bringer, which is scheduled to be released in the spring of 2011. (Suzanne Francis, author of The Song of the Arkafina Series, and first person ever to read my new book said Light Bringer is “brilliant.” My favorite word!)

Light Bringer tells the story of  Becka Johnson, who had been abandoned on the doorstep of a remote cabin in Chalcedony, Colorado when she was a baby. Now, thirty-seven years later, she has returned to Chalcedony to discover her identity, but she only finds more questions. Who has been looking for her all those years? Why are those same people interested in fellow newcomer Philip Hansen? Who is Philip, and why does her body sing in harmony with his? And what do either of them have to do with a shadow corporation that once operated a secret underground installation in the area?

So, be sure to leave a comment, then jog on over to visit novelist and writing coach Emily Hanlon at: Fiction Writing: the Passionate Journey.

You can find the entire list of participants for Blog Jog Day at: Blog Jog Day.

Note: If you don’t want to receive information about upcoming releases and contestsfrom Second Wind, be sure to note that in your comment. You will still be eligible for this contest.